I’ll admit, among the shows I planned to see in New York, “A Gentleman’s Guide to Love and Murder” was the one I anticipated the least. I’d heard positive feedback, but my knowledge was limited, and I booked it impulsively. While Something Rotten perhaps didn’t quite reach its high expectations, A Gentleman’s Guide to Love and Murder significantly surpassed mine. The experience was delightful, and my appreciation has only grown since listening to the soundtrack. Its absence from the London stage is puzzling, especially considering its perfect fit within the genre revitalized by Play That Goes Wrong.
A true farce, the narrative follows Monty D’Ysquith, the ninth Earl of Highhurst, as we witness his unique ascent to becoming the next Earl. With love, murder, and mayhem, it’s a constant source of laughter, filled with comedic twists at every corner. And that’s just in the final number. The audience audibly gasped!
The Brilliant Book and Lyrics: A Foundation for Farce
Robert L. Freedman and Steven Lutvak’s book and lyrics create an ideal blend of comedy and wit. Lines like, “To lose one relative one could certainly forgive, but how could you excuse losing two or three or four OR SEVEN,” “Yes Wodsworth I told you, I’LL BE JUST A MOMENT,” “The thought occurred to me, why should I believe a woman who could very well be insane?”, “Help me you presumptuous climber” are simply brilliant. I may have been alone in chuckling at Sibella’s “It’s a bit much for Clapham,” delivered while wearing a corseted dress. But then again, I suspect I was the only English person in the audience watching a show that gently mocks the English! The musical also features some lyrically outstanding numbers, including ‘Lady Hyacinth Abroad’, ‘That Last One You’d Expect’, and ‘I’ve Decided to Marry You’. ‘Poison in my Pocket’ is probably my favourite number, which cleverly uses three separate harmonies and layers within the song – a technique I adore. This musical showcases a killer combination of dark humor and delightful musicality.
Stellar Performances Elevate the Experience
Bryce Pinkham shone as Monty Navarro, portraying a charming and charismatic rogue. His subtle nods to the audience, breaking the fourth wall, were well-written and executed even better by Pinkham. He clearly understood the role intimately, and his comedic timing was impeccable, especially in the memoirs scene. On the night we attended, the D’Ysquith family was embodied by Greg Jackson, who delivered a fantastic performance in the role… roles. Stepping into one role on short notice is challenging enough, but EIGHT! He excelled as Henry and Lady Hyacinth, though his vocals were slightly strained on some of the other parts. Nevertheless, kudos to Jackson and the backstage team for those incredibly quick costume changes!
Scarlett Strallen’s Sibella is simultaneously despicable and lovable, and her chemistry with Pinkham is electric. Catherine Walker completed the principal cast as Phoebe, demonstrating astounding vocal control. The scenes she shares with Strallen were hilarious, even when they were unaware of each other’s presence.
A Gentleman’s Guide: A Must-See Broadway Gem
In conclusion, “A Gentleman’s Guide to Love and Murder” delivers hilarity, heinous crimes, and exaggerated British accents. The show is a delightful romp through Edwardian England, filled with witty lyrics and memorable performances. The real question is: why aren’t all the London theatres clamoring for a transfer of this brilliant and unique production? If you have a chance to see a production of “A Gentleman’s Guide,” don’t miss it. It’s a bloody good time!
