A Good Girl’s Guide to Unraveling Mysteries: Q&A with Holly Jackson & Editor

This article delves into the minds behind the bestselling novel “A Good Girl’s Guide to Murder,” exploring the creative process, challenges, and triumphs of both the author, Holly Jackson, and her editor, Lindsey Heaven. Discover the inspiration behind this gripping murder mystery and gain valuable insights into the world of writing and publishing.

The Author’s Perspective: Holly Jackson on Crafting a Thrilling Mystery

What sparked your interest in writing a murder mystery?

While murder mysteries and crime thrillers have always captivated me as a reader and viewer, the true inspiration for “A Good Girl’s Guide to Murder” came from the world of true crime podcasts and documentaries. I became obsessed with this genre and aimed to write a book that mirrored the ‘real’ amateur detective experience.

What advantages did you find in having a teenage girl as your detective?

I never viewed having a teenage girl as the detective as a challenge but rather as a significant strength, brimming with possibilities. One of the most enjoyable aspects of writing was devising ways for Pip to transform everyday technology into crime-solving tools, considering she lacks the resources of a police force. Other characters often underestimate her, which Pip cleverly uses to her advantage against the adults involved in the case. This allowed for a unique and relatable perspective on solving a complex crime.

How did Lindsey’s input enhance the book’s true crime feel?

Considering the book’s true crime inspiration, I envisioned incorporating multimedia elements and found-footage-style items to create an immersive experience. Lindsey wholeheartedly embraced this concept from the start. Despite the formatting challenges these elements presented during editing, I believe they significantly enhanced the final product. I am incredibly grateful for Lindsey’s unwavering support of this dual format and her role as the book’s biggest advocate. Her willingness to experiment with different mediums helped to create a unique and engaging reading experience.

What was the biggest challenge in writing the book, and what aspect are you most proud of?

The most challenging aspect was crafting the BIG TWIST. It’s an expected element of the genre, and I wanted to strike a balance between shocking the reader and making them feel like the twist was subtly hinted at all along. The pressure lies in surprising a reader well-versed in crime thrillers and their tricks. I am most proud of largely succeeding in this, as reviews suggest!

What advice would you offer to debut authors navigating the publishing world?

My advice, which I often struggled to follow myself, is to remember the heart of this career: the joy of storytelling. During the publishing process, it’s easy to get lost in the details – scouring for errors, panicking about word count, or stressing over business aspects. While stress is inevitable, remember that your ultimate job is to tell a story you’d love to read, which is the best job in the world. Focus on creating a compelling narrative that resonates with you, and the rest will follow.

The Editor’s Insight: Lindsey Heaven on Recognizing and Nurturing Talent

What initially excited you about Holly’s manuscript?

It was the most compelling manuscript I had ever read. We were completely captivated by Pip’s investigation from the very first page. The editors and I were exchanging messages at all hours, eager to see how the story would unfold.

What qualities define Holly as a writer to watch?

Holly’s profound sense of social justice shines through, coupled with an authentic YA voice and an addictive mystery. Her writing transcends the YA genre, attracting a growing number of adult fans. She is commercial, distinctive, brave, and deeply cares about every detail, from character nuances to punctuation. Her attention to detail and commitment to her craft set her apart.

How did you collaborate with Holly on the manuscript, and what changes did you suggest?

In crime novels, unbelievable coincidences happen – the worst possible scenarios unfold, requiring the reader to suspend disbelief. Holly and I discussed how far we could push that suspension. One of her standout skills is taking the reader on an almost impossible journey while maintaining their trust. She pushes the limits, making the books even more captivating.

What inspired you to become an editor?

My first publishing experience was work experience at Barrington Stoke, which publishes for children with reading difficulties. They invite mainstream authors to write accessible books, ensuring these children read books that are not visibly different or educational. Witnessing how children’s books could entertain, transform lives, and unite children across reading abilities was a transformative moment. It solidified my desire to become an editor.

What advice would you give to aspiring authors?

Understand your story and voice, but be open to challenges. You’ll discover what’s truly important and how to elevate your work from great to incredible. Be willing to collaborate and refine your vision.

A Good Girl’s Guide to Murder is published by Electric Monkey.

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